If you are about my age, when you were a kid, if you heard the word “Rocky”, what would come to mind is an image of a flying squirrel and his moose friend. If today I say the word “Rocky” to my kids, they will say, “Who’s Rocky?”. OK, bad example. But somewhere between my childhood and their childhood, the “Rocky” franchise was born. It was 1976, to be exact, when a relative unknown named Sylvester Stallone wrote and starred in a little movie about a boxer with more heart than talent.
So why in the world am I blogging on this today? How random is that? Not that random. One of the many movie lists that comprise my current Netflix queue, is the AFI Top 100 Films, which I am in the process of viewing chronologically. I am up to 1976, which means that “Rocky” just last week floated to the top of my queue and showed up in my mailbox. I had seen it when it came out, (me and everyone else), and even bought the soundtrack album (one of your more recognizable movie soundtracks - music by Bill Conti), so this was kind of a trip down memory lane.
Though the plot is about as formula as it gets, I still get sucked in and even as I am fully aware that I am being manipulated, played like a cheap violin, I still find myself cheering Rocky on to the end. So what is the formula of which I speak? You know it when you see it. You have an underdog, usually poor, down on his luck, against a cocky, usually rich and unlikeable antagonist, leading up to some kind of a contest at the climax where the underdog and the cocky unlikeable foe go head-to-head with predictably heart-warming results as our underdog hero overcomes all the odds. You may know others, but these come to mind for me:
- Ben-Hur (1959) - the lowly slave Ben-Hur (Charleton Heston), through a (long) series of circumstances, eventually ends up in a chariot race against his childhood friend, the wealthy and powerful Messala (Stephen Boyd). One of the most famous action sequences in movie history, I will leave it to you to guess who won. Or just watch it to find out. There are probably other classics in this genre, but I will leave that as an exercise for you.
- Breaking Away (1979) - shot entirely on location in Bloomington, Indiana, if follows the lives of four kids (Dennis Christopher, Dennis Quaid, Daniel Stern, Jackie Earle Haley), from the poor side of town, dubbed the “Cutters”, because their families derive their income from the stonecutting plant in town. One of these, Dave (Dennis Christopher), has taken an interest in bike racing, but otherwise hangs out with his “Cutter” friends. On the other side of the tracks are the preppy kids on the bike team at Indiana University. The movie of course culminates in a bike race, with Dave wiping out and hurting his ankle, putting his three non-bike riding friends into the race and way behind, and yet, after taping up his ankle and getting him back on the bike, Dave takes chase after Preppy highly trained college bike team and…you guessed it. The “Cutters” take the stage and the trophy as the credits roll. Sorry to spoil it for you, but you see this coming about ten minutes into the movie.
- The Karate Kid (1984) - young Daniel (Ralph Macchio), mentored by Mr. Miyagi (Pat Morita) in the finer points of karate, has several run-ins with the karate class bully and his bully teacher, until of course they finally meet in a championship match. And even to this day, when I see Ralph Macchio go up on one foot, I know exactly what is coming, and I still love it.
- Hoosiers (1986) - small town Indiana basketball team against a much bigger, better, stronger team in the state high school championship. Small town team wins at the buzzer. One significant difference with this story. It happens to be true. Sometimes the underdog really does win.
- The Mighty Ducks (1992) - ex-hockey player and hotshot lawyer Gordon Bombay (Emilio Estevez), as a term of his probation, is forced to coach a rag-tag bunch of street kids, and somehow trains them to play hockey. The movie culminates with a game against the rich hockey kids who have been together since Pee-Wees (perhaps you know the type - or perhaps you are the type), and believe it or not (of course we have already paid the $8.00 to believe it), the street hoods beat the professional rink rats. And of course in the sequels, they up the ante each time, in D2 beating the evil Swedes (or is it Norwegians?) in the Junior Goodwill Games, and in D3 the evil preppies on the varsity team at the exclusive Eden Hall Academy - the kids we love to hate.
I’m sure there are others, but in the interest of time (mine and yours), back to “Rocky”. The premise is flimsy, but we have to get these two together somehow - the champ, Apollo Creed (Carl Weathers) has no one to fight, so as a publicity stunt, agrees to fight an unkown, a nobody, and they pick Rocky, because they like his nickname - the “Italian Stallion”. Rocky agrees to the fight, and spends the rest of the film training and philosophizing, moving from belief to doubt and back again, (”I just want to go the distance”), until the bout itself, which takes up the last several minutes of the movie (sorry didn’t time it). What I really like about the ending is that it wasn’t so predictable and unbelievable that Rocky knocks out the champ, but rather he does go the distance, losing by a split decision, which was much more realistic and every bit as satisfying. And of course what would this movie be without the love interest, Adrian (Talia Shire), running into the ring at the end and telling Rocky, “I love you”. Magic. Pure formulaic magic.
A couple points. First, I am no big boxing fan, but back in the mid-70s, boxing was an integral part of our culture. We had Ali-Frazier, Ali-Foreman, (OK, we had Ali), and everyone knew about the “Thrilla in Manila” Ali-Frazier bout whether they were a boxing fan or not. That fight was 1975, and this was the world into which “Rocky” entered. Nowadays, boxing is so far out of the public consciousness, I am not sure that this film could be made, or at least had been the success that it was.
Second, I am sure someone else has said this before, and better than me, but this movie seems to be a metaphor for Sly Stallone himself. A virtual unknown, he shops around this script, demanding to play the lead role or he doesn’t sell it. He finally gets the chance, and is probably thinking as he is making this movie, “I just want to go the distance.” He did better than that. He made millions and won the Best Picture Oscar. And though he could never seem to score big outside the Rocky franchise, he did come back with Rocky II-V (of which I think I may have seen Rocky II, but not even sure about that), where we find Rocky facing ever more formidable opponents and each time overcoming insurmountable odds.
I said earlier that I didn’t think this movie could be made today. But it was, in 2006, as “Rocky Balboa”, or as some would dub it, “Rocky VI”. But this was a new phenomenon, but rather, this was like coming back to an old friend, and we wanted to see what he has been up to all these years. Kind of like a 30-year high school reunion. I say “we”, but I never did see it in the theater. But after seeing “Rocky” again, I moved “Rocky Balboa” to the top of my Netflix queue, and watched it a few days later.
I am glad I watched them both together, because a big part of “Rocky Balboa” is the subtle reference and the not-so-subtle flashback and archive footage of the original “Rocky”. One of the subtle references I would have missed had I not viewed the original three days prior, was the first scene of Rocky getting out of bed, and in the background we see two very large turtles in an aquarium. That is Cuff and Link all grown up! How cool is that!
The plot follows closely the original Rocky story. The heavyweight champ, Mason “The Line” Dixon, has no one left to fight. Meanwhile, ESPN runs a computer simulation of Rocky Balboa in his prime against Mason Dixon, and the computer says Rocky knocks him out. Dixon doesn’t care for this, so of course they lure Rocky out of retirement and the exhibition match is set for Las Vegas. But first, a few other plot notes of interest.
To begin with, Adrian is dead. I don’t know if that is because it was written that way, or because Talia Shire did not want to appear. For whatever reason, she is dead, and Rocky sits in front of her grave in a wooden chair, which when he is done he folds up and sticks in a nearby tree, which seems to indicate that he does this often.
And in her memory, he opens “Adrian’s Restaurant”, where he plays host and walks around telling old boxing stories to the guests. And there is one interesting regular guest of note, named Spider. He is a former boxing opponent of Rocky’s, who he lets hang out and eat at the restaurant as much as he wants, and he is always there, reading his Bible. He is not portrayed as crazy, just a very nice old friend who Rocky likes to have around. And when it came time for the big Las Vegas showdown, Spider was in the locker room reading Scripture to Rocky, quoting Zechariah 4:6 and 1 Corinthians 15:57 together: “Then he said to me, “This is the word of the LORD to Zerubbabel: Not by might, nor by power, but by my Spirit, says the LORD of hosts…But thanks be to God, who gives us the victory through our Lord Jesus Christ.” I found this interesting. Stallone did not have to do this. There was no other reason to have Spider in this movie to move the plot along, except to be seen often in the restaurant reading his Bible, and quoting Scripture to Rocky before the fight. Tells me something, makes me ask why.
There is also someone to take the place of Adrian in this movie, by the name of Marie. Clearly not a love interest, as she is young enough to be his daughter, but one of the young street kids he yelled at in the first Rocky movie, now all grown up and a single mom trying to raise a kid. And just like Rocky had a way with words in coaxing Adrian out from behind a locked bedroom door in the first movie, likewise a similar heart-warming speech convinces Marie to take on the job of hostess at his restaurant.
Rocky also has a son, Robert Jr., all grown-up, and trying, unhappily so, to make it in the business world, and to get out from under his father’s shadow. This all comes to a head in a confrontation between Rocky and Robert Jr., as the latter tries to talk Rocky out of this fight, not because it will make Rocky look bad, but because it won’t do him any good. So Rocky goes off on him with a talk about courage and being your own man and not worrying about what other people think, and in the next scene, again at the grave, we see father and son make up, Robert Jr. having quit his job, and is in dad’s corner for the remainder of the movie. This is also a key ingredient of the formula that I forgot to mention. There is usually a naysayer close to the underdog who is constantly bringing him down, but who usually comes around to see the light at the end. Dave’s dad in “Breaking Away” is another good example.
And lastly, the fight. Like the original, a lengthy finale of a boxing match. Fast cuts and editing probably make it seem like there is more going on there than we really see, but it is exciting to watch nonetheless. And you guessed it, as in the original, Rocky goes the distance and loses in a split decision, but not having been expected to last two rounds, he still emerges the hero, and the crowd goes wild.
And in the final scene, just as Rocky in the original was yelling “Adrian! We did it!” as Adrian climbed into the ring and embraced him, so here we see Rocky putting roses on Adrian’s grave, giving it a kiss, and saying, “we did it Adrian, we did it” and walking away, first out of focus, then disappearing altogether. As a way to tie the two movies together, I thought it was the perfect ending, a poignant period on the Rocky story. So please Sly, no Rocky VII.